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    Oxford Board of Aldermen approves North Lamar, Old Taylor Road improvements

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    Lafayette Democrats host No Kings visibility event, highlight midterm voting

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    Sports industry leaders offer business insights at Ole Miss Sports ForUM

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    ‘Wildwood,’ LAIKA’s Latest Masterpiece

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    First inaugural Sarahfest folk horror film festival featured three films and makeup VFX workshop

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    We’re not ready to be adults, and our favorite TV shows know it

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    Ole Miss Football recruiting game excels under Golding

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    Takeaways from a disappointing loss in Austin

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    Activism is for everyone — students can do it, too

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    Meet a lineman who brought power back to Oxford

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    Football concessions expand, more updates to come

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    Oxford Board of Aldermen approves North Lamar, Old Taylor Road improvements

    Lafayette Democrats host No Kings visibility event, highlight midterm voting

    Lafayette Democrats host No Kings visibility event, highlight midterm voting

    Sports industry leaders offer business insights at Ole Miss Sports ForUM

    Sports industry leaders offer business insights at Ole Miss Sports ForUM

    College Sports, Inc.: Explaining modern college sports

    College Sports, Inc.: Explaining modern college sports

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    UM sophomore organizes campus registry drives for sister in bone marrow failure

    UM sophomore organizes campus registry drives for sister in bone marrow failure

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    ‘Wildwood,’ LAIKA’s Latest Masterpiece

    First inaugural Sarahfest folk horror film festival featured three films and makeup VFX workshop

    First inaugural Sarahfest folk horror film festival featured three films and makeup VFX workshop

    We’re not ready to be adults, and our favorite TV shows know it

    We’re not ready to be adults, and our favorite TV shows know it

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    Needlepoint Nest stitches its way across the country

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    Column: Kewan Lacy, to play or not to play?

    ‘We gotta win out’: Is Ole Miss Football history repeating itself? 

    ‘We gotta win out’: Is Ole Miss Football history repeating itself? 

    Ole Miss Football recruiting game excels under Golding

    Ole Miss Football recruiting game excels under Golding

    Takeaways from a disappointing loss in Austin

    Takeaways from a disappointing loss in Austin

    Ole Miss Football Week 8 report card

    Ole Miss Football Week 8 report card

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    Ole Miss’ Week 8 contest ends in agony, reminiscent of Fiesta Bowl loss 

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    Letter to the Editor: Echo chambers do not promote a variety of viewpoints

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    Students do not appreciate Rebel Market enough

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    Activism is for everyone — students can do it, too

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    Late-night study sessions are a waste of your time

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    Magnolia Letters: Wearing white this weekend is a fashion sin

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    Meet a lineman who brought power back to Oxford

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    ‘Everyone is your neighbor in a disaster’: Churches step up during crisis

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Review: Tyler Hubbard Solidifies His Departure From Florida Georgia Line

byClay Hale
September 11, 2022
Reading Time: 2 mins read

Tyler Hubbard, the Georgia half of Florida Georgia Line, is seemingly trying to undo that stereotype with his debut solo project, “Dancin’ In The Country.”

Don’t get me wrong, this project is littered with neon signs and pickup trucks, but the tracks on Hubbard’s six-song EP seem to remove the disrespect towards women that is so prominent in bro-country music. 

“5 Foot 9,” Hubbard’s lead single and a trending TikTok song, is one of the best examples of this. Instead of joining the roster of other things usually listed in bro-country songs, Hubbard is lifting the romantic interest above them. It’s an effort to revive the more respectful tone that was once prominent in country radio, and I would argue that it works.

Florida Georgia Line performs for service members attending in person and around the globe through streaming video at the World’s Biggest USO Tour in Washington, D.C., Sept. 13, 2018. Performances from Florida Georgia Line, actor-comedian Adam Devine and Celebrity Chef Robert Irvine were live-streamed to service members in at 88 USO locations across the United States and around the world. Photo courtesy Navy Petty Officer 1st Class Dominique A. Pineiro via Wikimedia Commons.

“Inside And Out” is without a doubt the song I’d be most flattered by if the songs on this project were about me. Not only would I be above Bud Light and Ford trucks, but I would also be in a completely different ballpark than those things. This is the only song between all six that doesn’t reference the list of default country necessities. It’s refreshing, I must confess.

The title track, “Dancin’ In The Country,” is infectious with its instrumental production, featuring appearances from rock and pop influences. Though I was initially uncertain following the first listen, the more I listened to the song, the more I found myself drumming on my steering wheel and bobbing my head to the beat.

The only time the project ventures away from the theme of yee-haw love is on “Everybody Needs A Bar,” where Hubbard insists that having a regular bar that you go to is as important as a pickup truck needing gas, a cornfield needing rain and a cowboy needing a hat. 

Though the song is most definitely catchy and easy on the ears, the songwriting here is really as country checklist as it can get. I can’t help but imagine Hubbard in a songwriting session with a whiteboard somewhere crossing off bar, pickup truck, cornfield and cowboy one at a time as he mentions them in the song.

If you’re looking for something fun that’ll wake you up in the morning on the drive to work, and don’t mind the often cliche songwriting, this is the project for you. It’s a nice effort from Hubbard to rebrand himself in the genre following the notorious reputation of Florida Georgia Line. 

“Dancin’ In The Country” scores a promising seven out of 10 from me. I’m intrigued to see what direction he goes. If he continues down this road with his solo projects in the future, I could see him becoming just as successful, if not more, than his former group Florida Georgia Line.

Tags: a&carts & culture
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