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    TikTok star Sister Cindy preaches the ‘HoHoMo’ revolution to UM

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    Priced out of Oxford? Rising rents push graduate students to rethink their futures

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    The end of an ASB era: Outgoing executive members reflect on their time in office

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    OC Williford elected ASB President, VP race heads to runoff

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    Review: ‘Project Hail Mary’ is out of this world

    Grid Girls goes full throttle to support women in motorsport

    Grid Girls goes full throttle to support women in motorsport

    Preserving Faulkner’s literary legacy in the digital age

    Preserving Faulkner’s literary legacy in the digital age

    SAA’s Music Bingo puts melodious spin on classic game

    SAA’s Music Bingo puts melodious spin on classic game

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    Rebels kick off outdoor track season at the Ole Miss Classic

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    Ole Miss Football brings in two familiar faces as new assistants

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    Meet a lineman who brought power back to Oxford

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    ‘Everyone is your neighbor in a disaster’: Churches step up during crisis

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    OC Williford elected ASB President, VP race heads to runoff

    Williford wins! McCarey, McKean face off in ASB VP runoff today

    TikTok star Sister Cindy preaches the ‘HoHoMo’ revolution to UM

    TikTok star Sister Cindy preaches the ‘HoHoMo’ revolution to UM

    Priced out of Oxford? Rising rents push graduate students to rethink their futures

    Priced out of Oxford? Rising rents push graduate students to rethink their futures

    The end of an ASB era: Outgoing executive members reflect on their time in office

    The end of an ASB era: Outgoing executive members reflect on their time in office

    OC Williford elected ASB President, VP race heads to runoff

    OC Williford elected ASB President, VP race heads to runoff

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    Review: ‘Project Hail Mary’ is out of this world

    Grid Girls goes full throttle to support women in motorsport

    Grid Girls goes full throttle to support women in motorsport

    Preserving Faulkner’s literary legacy in the digital age

    Preserving Faulkner’s literary legacy in the digital age

    SAA’s Music Bingo puts melodious spin on classic game

    SAA’s Music Bingo puts melodious spin on classic game

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    No. 18 Ole Miss Baseball faces rival No. 6 Mississippi State in critical weekend series

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    Who are the top Rebel prospects ahead of the 2026 NFL Draft?

    Rebels kick off outdoor track season at the Ole Miss Classic

    Rebels kick off outdoor track season at the Ole Miss Classic

    Ole Miss Football brings in two familiar faces as new assistants

    Ole Miss Football brings in two familiar faces as new assistants

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    Column: There’s a very real threat underlying Ole Miss Baseball’s early success

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    Meet a lineman who brought power back to Oxford

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    ‘Everyone is your neighbor in a disaster’: Churches step up during crisis

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Latest Lumineers album brings nostalgia amid unrest

bySydney Stepp
February 19, 2025
Reading Time: 2 mins read
“Automatic” album cover. Photo provided © 2025 Dualtone Music Group, a division of MNRK Records

Indie-folk duo The Lumineers released their fifth studio album, titled “Automatic,” on February 14. The 11 track, 33-minute-long album is packed with hard-hitting lyricism that will resonate with a 2025 listener while maintaining the now-iconic — though maybe overplayed — sound that popularized the band.

I have been excitedly anticipating “Automatic” since the single “Same Old Song” preceded the album’s release on Jan. 8. The upbeat track painted an image of a lover who is making the most of the moment; however, instead of being a happy love song, it instead quickly turns into a piece about recognizing that our time in life is never guaranteed.

The repeating refrain of “Same old song / We sing the same old song / We sing the same old, same old, sad song” emphasizes the idea that the world we live in is cyclical, even if new events keep happening. In the beginning of the song, the singer references his grandmother’s death in his adolescence and later implies that it is the same kind of grief as losing his mother’s guitar after it is stolen.

“You’re All I Got” is a track about loving and needing something despite the complications it presents. This song is a top contender for my favorite on the album, primarily for the line “And I can’t give it up like Sisyphus below the rock,” which alludes to the idea that, even if a love for something will crush you, you cannot leave it alone.

“Keys on the Table” offers another perspective on the ideas in “You’re All I Got.” The song talks about desperation in a failing relationship. Similar ideas are present in prior album “III,” which discusses topics such as mental health and addiction.

While some songs seem to be about personal relationships such as “A–hole” and “You’re All I Got,” many songs on the album can only be listened to and understood in a sociopolitical context. 

When I listened to “Better Day” for the first time on the way to Kroger, the only thing I really noted about it was the pretty piano in the background of the otherwise mellow song. Only when I sat down and truly listened to the song did I realize the message that The Lumineers had packed into it. 

The song is “dreaming of a better day,” one in which teenagers don’t “lead the crusades” and in which blue lights do not keep “red eyes awake.” The juxtaposition of a soft melody with harsh but true lyrics almost brought me to tears and makes it my favorite off the album.

“Better Day” is then followed by the second instrumental of the album, titled “Sunflowers.” The instrumental utilizes a familiar melodic motif that can be recognized in “Patience,” the final instrumental track from their 2016 album “Cleopatra.” While some may see a purely instrumental track as a hindrance, it allows “Better Day” to breathe while also preparing for the final track, “So Long.”

Lyrically, “Automatic” is an impressive album, though the sonic masterpieces that we have grown to expect from The Lumineers are missing in this project.

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Sydney Stepp

Sydney Stepp

Sydney Stepp is a junior majoring in English and Southern studies from Loretto, Tenn. She serves as the Copy Chief for The Daily Mississippian and previously served as a Staff Writer for Arts &. Culture and the Assistant Arts & Culture Editor. She has also worked on the editorial staff of the UM Department of English literary magazine “Landshark Literary Review” and as a spring writing intern with the College of Liberal Arts. Her research interests include gender, sexuality and religion in Southern literature. When not in the DM office, she is probably reading or playing with her black house cat, Henry.

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